One of Austria's most influential architects, Otto Wagner (1841-1918) played a key role in modernizing urban architecture. Forming an approach described as structural rationalism, Wagner pioneered use of materials such as glass, steel, and especially aluminum. He was associated with the Viennese Succession, a group of artists and designers headed by Gustav Klimt that initiated a departure from the conservative style of the Viennese Kunstlerhaus. Among Wagner's most important buildings are the Vienna Postsparkassenamt (Postal Savings building) and the Steinhof Church. Издание на английском языке.

The influence of the Austrian architect and designer Josef Hoffmann (1870-1956) is extraordinary: for a period of over 60 years he kept up an aesthetic dialog with Modernism, the International Style, and Art Deco. Before being rediscovered in the 1980s by the Post-Modernists, his work was nearly forgotten; now his importance is unquestioned. As a designer he was one of the leading proponents of the Wiener Werkstatte, with its close connection to the Arts and Crafts movement. As an architect, he built the first modern buildings in Europe, such as the Purkersdorf Sanatorium (1904) and the Palais Stoclet (1905-1911). Traversing several styles and schools during his lifetime, his work shows a consistent Formalism. He abandoned Functionalism long before it became obsolete. In a historic sense, Hoffmann was doubly avant-garde: in both the rise and fall of Modernism. Издание на английском языке.

Adolf Loos – Avantgardist und Storenfried im Wien der Secessionisten Erst legte er sich mit den biedersinnigen Freunden des Historismus und der Wiener Ringstra?en-Architektur an, dann mit den Secessionisten, mit denen er gerade noch paktiert hatte: Nike Wagner zitiert in „Geist und Geschlecht“, ihrem Standardwerk zu Karl Kraus und der Wiener Moderne, einen Zeitgenossen von Adolf Loos (1870–1933), der den Architekten, Designer und Publizisten als den „Mann, der Nein sagt“ charakterisierte. Und kaum jemand sagte mit mehr avantgardistischem Furor Nein als Loos: Nein zum Ornament, zum dekorativen Beiwerk, zu uberflussigen Details, zum fantastischen Wuchern des Irrationalen. Als Architekt der Tabula rasa propagierte Loos eine Architektur der Einfachheit und Klarheit, in der die Form der Funktion folgt, aber durchaus luxuriosen Uberfluss und das Spiel mit klassizistischen Elementen zulasst. Programmatisch ist sein Vortrag Ornament und Verbrechen (1913), in dem er in nietzscheanischer Erregungs- und Uberwaltigungsprosa gegen den antiquierten Unverstand seiner Zeitgenossen wettert. Schon zu Beginn des 20. Jahrhunderts hatte der Freund von Karl Kraus, Peter Altenberg und Oskar Kokoschka die Gelegenheit erhalten, seine Ideen auch baulich Gestalt werden zu lassen. Die schlicht-funktionalen Innenraumgestaltungen, die er fur das Cafe Museum (1899), fur die American Bar (1908) oder das Modehaus Knize (1913) entwarf, bruskierten in ihrer fremdartigen modernen Anmutung die Wiener. Auch sein wohl beruhmtestes Bauwerk in Wien, das als Looshaus bekannte gro?e Geschaftshaus am Michaelerplatz (1912) gegenuber der Nordfassade der Hofburg, wurde mit seiner nuchternen, aber dennoch exklusiv-eleganten Fassade als Provokation empfunden und soll sogar Kaiser Franz Joseph I. derart in Rage versetzt haben, dass er sich fortan weigerte, einen Fu? auf den Michaelerplatz zu setzen. Das Looshaus wie auch einige der zahlreichen Villen, die er baute, etwa die kubistische Villa Muller in Prag, gelten als Schlusselwerke der Moderne. Diese Einfuhrung macht mit den architektonischen Ideen von Adolf Loos vertraut, erlautert sein Konzept des „Raumplans“, stellt seine wichtigsten Werke vor und beschreibt das Leben eines streitbaren, aber auch abgrundigen Intellektuellen am Beginn der Moderne.

Состояние носителя: M. Состояние конверта: NM. Скрипка. Виниловая пластинка . Моно Сокровищница Мирового Исполнительского Искусства A1 Walther's Song Composed By – August Wilhelmj, Richard Wagner A2 Scherzo-Waltz Composed By – Emmanuel Chabrier, Eugène Ysaye A3 Mazurka In B Minor, Op. 11, No. 3 Composed By – Eugène Ysaye A4 Lullaby, Op. 16 Composed By – Gabriel Fauré A5 Concerto For Violin And Orchestra In E Minor, Op. 64 Part 3. Allegretto Non Troppo. Allegro Molto Vivace. Arrangement For Violin And Piano Composed By – Felix Mendelssohn-Bartholdy B1 Mazurka In G Major, Op. 19 No. 1, "Obertass" Composed By – Henryk Wieniawski B2 Mazurka In D Major, Op. 19 No. 1, "Dubziarz" Composed By – Henryk Wieniawski B3 Hungarian Dance No. 5 In G Minor Composed By – Johannes Brahms, Joseph Joachim B4 Hungarian Caprice, Op. 2 Composed By – Fritz Kreisler B5 "Albumblatt" Composed By – August Wilhelmj, Richard Wagner B6 Rondino, Op. 32, No. 2 Composed By – Henri Vieuxtemps Тип носителя: Виниловая пластинка

Трек-лист: A1. Twist and Shout [30 August, 1965]A2. She's A Woman [30 August, 1965]A3. Dizzy Miss Lizzy [30 August, 1965 / 29 August, 1965 - one edit]A4. Ticket To Ride [29 August, 1965]A5. Can't Buy Me Love [30 August, 1965]A6. Things We Said Today [23 August, 1964]A7. Roll Over Beethoven [23 August, 1964]A8. Boys [23 August, 1964]A9. A Hard Day's Night [30 August, 1965]B1. Help! [29 August, 1965]B2. All My Loving [23 August, 1964]B3. She Loves You [23 August, 1964]B4. Long Tall Sally [23 August, 1964]B5. You Can't Do That [23 August, 1964 - previously unreleased]B6. I Want To Hold Your Hand [23 August, 1964 - previously unreleased]B7. Everybody's Trying To Be My Baby [30 August, 1965 - previously unreleased]B8. Baby's In Black [30 August, 1965 - previously unreleased]

A1. Twist and Shout [30 August, 1965]A2. She's A Woman [30 August, 1965]A3. Dizzy Miss Lizzy [30 August, 1965 / 29 August, 1965 - one edit]A4. Ticket To Ride [29 August, 1965]A5. Can't Buy Me Love [30 August, 1965]A6. Things We Said Today [23 August, 1964]A7. Roll Over Beethoven [23 August, 1964]A8. Boys [23 August, 1964]A9. A Hard Day's Night [30 August, 1965]B1. Help! [29 August, 1965]B2. All My Loving [23 August, 1964]B3. She Loves You [23 August, 1964]B4. Long Tall Sally [23 August, 1964]B5. You Can't Do That [23 August, 1964 - previously unreleased]B6. I Want To Hold Your Hand [23 August, 1964 - previously unreleased]B7. Everybody's Trying To Be My Baby [30 August, 1965 - previously unreleased]B8. Baby's In Black [30 August, 1965 - previously unreleased]

Список композиций: SIDE ONE 1. Columbia (Live at Knebworth, 10th August 1996) 2. Acquiesce (Live at Knebworth, 10th August 1996) 3. Supersonic (Live at Knebworth, 10th August 1996) SIDE TWO 1. Hello (Live at Knebworth, 11th August 1996) 2. Some Might Say (Live at Knebworth, 11th August 1996) 3. Roll with It (Live at Knebworth, 11th August 1996) 4. Slide Away (Live at Knebworth, 11th August 1996) SIDE THREE 1. Morning Glory (Live at Knebworth, 11th August 1996) 2. Round Are Way (Live

Виниловая пластинка OASIS - Live At Knebworth 1996 (3LP)A1. Columbia (Live at Knebworth, 10th August 1996)A2. Acquiesce (Live at Knebworth, 10th August 1996)A3. Supersonic (Live at Knebworth, 10th August 1996)B1. Hello (Live at Knebworth, 11th August 1996)B2. Some Might Say (Live at Knebworth, 11th August 1996)B3. Roll with It (Live at Knebworth, 11th August 1996)B4. Slide Away (Live at Knebworth, 11th August 1996)C1. Morning Glory (Live at Knebworth, 11th August 1996)C2. Round Are Way (Live at Knebworth, 10th August 1996)C3. Cigarettes & Alcohol (Live at Knebworth, 10th August 1996)C4. Whatever (Live at Knebworth, 10th August 1996)D1. Cast No Shadow (Live at Knebworth, 10th August 1996)D2. Wonderwall (Live at Knebworth, 11th August 1996)D3. The Masterplan (Live at Knebworth, 10th August 1996)E1. Don't Look Back in Anger (Live at Knebworth, 11th August 1996)E2. My Big Mouth (Live at Knebworth, 10th August 1996)E3. It's Gettin' Better (Man!) (Live at Knebworth, 11th August 1996)F1. Live Forever (Live at Knebworth, 10th August 1996)F2. Champagne Supernova (Live at Knebworth, 11th August 1996)F3. I Am the Walrus (Live at Knebworth, 11th August 1996)"Live At Knebworth 1996" - саундтрек к фильму, посвященному культовому двухдневному концерту группы Oasis, снятому лауреатом премии Грэмми Джейком Скоттом. Фильм снят в реальном времени глазами фанатов, которые были там, на основе обширных и никогда ранее не виденных архивных концертных и закулисных съемок с мероприятия, а также дополнительных интервью с группой и организаторами концерта. Издание на тройном 180-граммовом аудиофильском виниле. Британская рок-группа Oasis образовалась в 1991 году и стала одной из наиболее популярных команд 90-х годов. За всё время своего существования группа выпустила 7 студийных пластинок. Все они занимали первые места в Британском чарте и получали мультиплатиновые статусы. Коллектив просуществовал до 2009 года и распался после ухода фронтмена Ноэла Галлахера.

Deep Purple - Made In Japan. 2 LP. A1 Highway Star (Osaka - 16th August 1972), A2 Child In Time (Osaka - 16th August 1972), B1 Smoke On The Water (Osaka - 15th August 1972), B2 The Mule (Tokyo - 17th August 1972), C1 Strange Kind Of Woman (Osaka - 16th August 1972), C2 Lazy (Tokyo - 17th August 1972), D Space Truckin' (Osaka - 16th August 1972), Лимитированное переиздание альбомов Британской рок-группы Deep Purple с новым мастерингом с оригинальных мастер лент на цветном виниле. Купить альбом Deep Purple - Made In Japan на цветном виниле.

Состояние носителя: S. Состояние конверта: S. Broadcast 1969. Виниловая пластинка . Side 1 1. "Every Little Thing" (German TV WDR, Big Apple, Wiesbaden, August 26th) (4:14) 2. "Something’s Coming" (German TV WDR, Big Apple, Wiesbaden, August 26th) (7:42) 3. "Looking Around" (BBC radio The Johnnie Walker Show, June 4th) (3:54) 4. "Everydays" (BBC radio Symonds On Sunday, August 4th) (3:09) 5. "No Opportunity Necessary, No Experience Needed" (Beat club, Bremen, November 29th) (5:35) Side 2 1. "Something’s Coming" (BBC radio Symonds On Sunday, August 4th) (7:43) 2. "Every Little Thing" (BBC radio Symonds On Sunday, August 4th) (5:42) 3. "Looking Around" (Beat club, Bremen, November 29th) (3:51) 4. "Survival" (Beat club, Bremen, November 29th) (6:55) Тип носителя: Виниловая пластинка

Бренд: August Sky

Wagner was one of the few major composers who studied philosophy seriously. Bryan Magee places the composer's artistic development in the context of the philosophy of his age, and gives us the first detailed and comprehensive study of the close links between Wagner and the philosophers - from the pre-Marxist socialists to Feuerbach and Schopenhauer. Magee explores the relationship between words and music, between the conscious and the unconscious mind, between art and philosophy. It tackles soberly and judiciously the Wagner whose paranoia, egocentricity and anti-semitism are repugnant, as well as the Wagner of artistic genius. The resulting text illuminates Wagner and the music-dramas in altogether new ways.

August. Виниловая пластинка. Gatefold