Returning to Turkey from exile in the West, the secular poet Ka is driven by curiosity to investigate a surprising wave of suicides among religious girls forbidden by the government to wear their head scarves in school. But the epicentre of the suicides, the bleak, impoverished border city of Kars, is also home to the beautiful Ipek, a friend of Ka's youth whom he has never forgotten and whose spirited younger sister is a leader of the rebellious schoolgirls. As a fierce snowstorm descends, cutting them off from the world, violence between the military and local Islamic radicals begins to explode, and Ka finds his sympathies drawn in unexpected and dramatic directions.

Winner of the Nobel Prize for Literature An exiled poet returns to the remote city of Kars on the Turkish border to investigate troubling reports of a suicide epidemic among its young women. While there, he reconnects with the beautiful Ipek, and finds himself drawn irresistibly back into their love story. But Kars has become a touchpoint for religious and political violence and religious extremists are poised to win the local elections. As the snow falls and suspicion mounts, the stage is set for a terrible and desperate act . . .

A family gathers in the shadow of a revolution, until an outsider brings the action to their door As the political tension from Turkey’s tumultuous struggle for modernity builds, an old widow Fatma waits with her faithful servant Recep for her grandchildren to descend for their annual visit. Faruk, a failed historian; his sensitive leftist sister, Nilgun; and Metin, a high school student who lives the fast life of the nouveaux riches while dreaming of escape. The arrival of Recep’s nephew Hassan, who has recently fallen in with right-wing extremists, draws the family into the growing political cataclysm. As the country wavers towards tragedy, the family are forced to confront their past and decide where they stand.

Osman is a young engineering student when he finds a mysterious and dangerous book that promises him a new and exciting life. He abandons his studies, turns his back on home and family, falls in love and embarks on restless bus rides through a nocturnal landscape of travellers’ cafes and apocalyptic bus wrecks, all in pursuit of this elusive vision. But will he, or the reader, ever understand the nature of this strange obsession?

A young Italian scholar is captured by pirates between Venice and Naples. After being put up for auction at the Istanbul slave market, he is bought by a Turkish savant eager to learn about scientific and intellectual advances in the West. But as master and slave bond over each other’s sins and secrets, their relationship grows increasingly complex. They soon find themselves part of the Sultan’s army, and on a journey that will lead them to the mythical White Castle.

Galip’s wife has disappeared. Could she have left him for Celal, a popular newspaper columnist? But Celal, too, seems to have vanished. As Galip investigates, he gradually assumes the enviable Celal’s identity, wearing his clothes, answering his phone calls, even writing his columns. But despite pursuing every clue the nature of the mystery keeps changing, and Galip never feels himself to be any closer to finding his beloved Ruya. When he receives a death threat, he begins to fear the worst. . .

Plague is not the only killer - an historical epic of murder and mystery, myth-making and nation-building, from the winner of the Nobel Prize for Literature. 1901. Night draws in. With the stealth of a spy vessel, the royal ship Aziziye approaches the famous vistas of Mingheria. 'An emerald built of pink stone'. The 29th state of the ailing Ottoman Empire. The ship carries Princess Pakize, the daughter of a deposed sultan, her doctor husband, and the Royal Chemist, Bonkowski Pasha. Each of them holds a separate mission. Not all of them will survive the weeks ahead. Because Mingheria is on the cusp of catastrophe. There are rumours of plague - rumours some in power will try to suppress. But plague is not the only killer. Soon, the eyes of the world will turn to this ancient island, where the future of a fragile empire is at stake, in an epic and playful mystery of passion, fear, scandal and murder, from one of history's master storytellers.

The Innocence of Memories is an important addition to the oeuvre of Nobel Prize-winning author Orhan Pamuk. Comprised of the screenplay of the acclaimed film by Grant Gee from 2015 (by the same name), a transcript of the author and filmmaker in conversation, and captivating colour stills, it is an essential volume for understanding Pamuk's work.Drawing on the themes from Pamuk's best-selling books, The Museum of Innocence, Istanbul and The Black Book, this book is both an accompaniment to the author's previous publications and a wonderfully revelatory exploration of Orhan Pamuk's key ideas about art, love, and memory.

The Innocence of Memories is an important addition to the oeuvre of Nobel Prize-winning author Orhan Pamuk. Comprised of the screenplay of the acclaimed film by Grant Gee from 2015 (by the same name), a transcript of the author and filmmaker in conversation, and captivating colour stills, it is an essential volume for understanding Pamuk's work.Drawing on the themes from Pamuk's best-selling books, The Museum of Innocence, Istanbul and The Black Book, this book is both an accompaniment to the author's previous publications and a wonderfully revelatory exploration of Orhan Pamuk's key ideas about art, love, and memory.

The Sultan secretly commissions a great book: a celebration of his life and the Ottoman Empire, to be illuminated by the best artists of the day - in the European manner. In Istanbul at a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working. But when one of the miniaturists is murdered, their Master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror? With the Sultan demanding an answer within three days, perhaps the clue lies somewhere in the half-finished pictures . . . From Turkey's winner of the Nobel Prize and author of Istanbul and The Museum of Innocence, this novel is a thrilling murder mystery set amid the splendour of Istanbul and the Ottoman Empire. Part fantasy and part philosophical puzzle, My Name is Red is also a stunning meditation on love, artistic devotion and the tensions between East and West.

From the Nobel Prize winner and best-selling author of Snow and My Name Is Red, a fable of fathers and sons and the desires that come between them. On the outskirts of a town thirty miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, the two will develop a filial bond neither has known before--not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world. But in the nearby town, where they buy provisions and take their evening break, the boy will find an irresistible diversion. The Red-Haired Woman, an alluring member of a travelling theatre company, catches his eye and seems as fascinated by him as he is by her. The young man's wildest dream will be realized, but, when in his distraction a horrible accident befalls the well digger, the boy will flee, returning to Istanbul. Only years later will he discover whether he was in fact responsible for his master's death and who the redheaded enchantress was. A beguiling mystery tale of family and romance, of east and west, tradition and modernity, by one of the great storytellers of our time.

The Ottoman Sultan has commissioned the best artists in the land to create a book celebrating the glories of his realm: but he wants them to illuminate it in the European style. Because figurative art is deemed by many to be an affront to Islam, the project must be kept secret. Panic and scandal erupt when one of the chosen miniaturists disappears, along with a crucial page of the manuscript. The surviving artists - bitter rivals variously motivated by pride, greed, jealousy, faith and love - are all under suspicion of murder, and the only clue to the mystery lies in the half-finished illustrations themselves. My Name is Red reveals the clash between two views of artistic meaning and the chasm between two world civilizations. In this special edition the author includes a chronology of Islamic and Western art history to provide valuable context for his story, and has contributed a fascinating introduction throwing light on his methods, his aims and his inspiration.

My Name is Red is an unforgettable murder mystery, set amid the splendour of sixteenth century Istanbul, from the Nobel prizewinning author In the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day – in the European manner. At a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working. But when one of the miniaturists is murdered, their Master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror? With the Sultan demanding an answer within three days, perhaps the clue lies somewhere in the half-finished pictures . . . Orhan Pamuk is one of the world’s leading contemporary novelists and in My Name is Red, he fashioned an unforgettable tale of suspense, and an artful meditation on love and deception.

'Many years have now gone by, and jealousy compels me to keep her name a secret, even from my readers. But I must provide a full and truthful account of what happened.' A studious young man spends a summer helping a master well-digger search for water on a barren plain. As the two struggle in the summer heat, they develop a filial bond neither has known before. In the nearby town where they spend their evenings, a travelling theatre group has come to stay. The young man is fascinated by the Red-Haired Woman, an alluring member of the troupe, and their brief but intense love affair drives everything else from his mind. But in his distraction, a horrible accident occurs, which will haunt him for thirty years. Until he decides to track down the Red-Haired Woman and finally understand the fallout from that unforgettable summer…

Kamal lives a life of cosmopolitan glamour, exploring the restaurants and boutiques of Istanbul with his friends and fiancй. In the newly modern city, they pride themselves on their liberal attitudes and Western style. A chance encounter with Fusun, a working-class shop-girl, begins a long, obsessive love affair, one that draws him deep into Istanbul’s complex history, and uncovers the forces of class and gender that still control its inhabitants’ lives.

A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.