A bizarrely funny, nostalgic collection of images of life under the Soviet Union - from the Instagram and Twitter accounts that have amassed a following of more than 1 million. Welcome to the USSR. Marvel at the wonders of the space race! Delight in the many fine delicacies of food and drink! Revel in the fine opportunities for work and play! Soviet Visuals invites you back in time into the strangely captivating world of the Soviet Union-through a unique collection of photography, architecture, propaganda art, advertising, design, and culture from behind the Iron Culture that will fascinate, amuse, and maybe even teach a thing or two.

A bizarrely funny, nostalgic collection of images of life under the Soviet Union - from the Instagram and Twitter accounts that have amassed a following of more than 1 million. Welcome to the USSR. Marvel at the wonders of the space race! Delight in the many fine delicacies of food and drink! Revel in the fine opportunities for work and play! Soviet Visuals invites you back in time into the strangely captivating world of the Soviet Union-through a unique collection of photography, architecture, propaganda art, advertising, design, and culture from behind the Iron Culture that will fascinate, amuse, and maybe even teach a thing or two.

A bizarrely funny, nostalgic collection of images of life under the Soviet Union - from the Instagram and Twitter accounts that have amassed a following of more than 1 million. Welcome to the USSR. Marvel at the wonders of the space race! Delight in the many fine delicacies of food and drink! Revel in the fine opportunities for work and play! Soviet Visuals invites you back in time into the strangely captivating world of the Soviet Union-through a unique collection of photography, architecture, propaganda art, advertising, design, and culture from behind the Iron Culture that will fascinate, amuse, and maybe even teach a thing or two.

P-35018 Soviet Propaganda Posters WW II 1942 part V

Сумка-шоппер чёрного цвета с принтом под названием Soviet Grail, содержащим изображение логотипа музыкального издательства Soviet Grail.Способ нанесения графики на ткань — шелкография.Приобрести лимитированную сумку-шоппер с принтом Soviet Grail, а также любой другой мерч, подготовленный нашей командой, можно в магазине музыкального издательства «КСМ Рекордс».

Вашему вниманию предлагается каталог На просвет. Художественное стекло советской и постсоветской эпох. Каталог выставки / Lucidity. The Art Glass of the soviet and Post-soviet epochs

Вашему вниманию предлагается каталог На просвет. Художественное стекло советской и постсоветской эпох. Каталог выставки / Lucidity. The Art Glass of the soviet and Post-soviet epochs

The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. For the first time ever, this book offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire. Soviet design is often discredited as massive, non-ergonomic and monotonous. Yet a remarkable variety of original styles have emerged behind the iron curtain. The 1920s were marked by bold exploration and experiments at Vkhutemas and by constructivism, rationalism, and suprematism. Early in Stalin's reign constructivism was heavily criticised and post-constructivism and Soviet neo-classicism appeared alongside what became known as 'agitational furniture', inspired by the regime's propaganda. The 1930s brought Soviet Art Deco and eventually Stalinist Empire, which has produced some of the Soviet Union's most iconic buildings. In the late 1950s, after Stalin's death, the last Soviet 'big style' originated modernist and functionalist furniture, mass-produced to fit the small apartments in the Khrushchyovka multi-unit housing developments that were built in cities on a large scale. The 1960s mark the Golden Age of Soviet interior design, showing again influences by the early Soviet Avant-Garde and the Bauhaus, while most of the visionary work of a new generation of designers in the 1970s and 1980s remained unrealised.

Пин (значок) под названием Soviet Grail Logo содержит изображение логотипа музыкального издательства Soviet Grail.Материал — металл с акриловым покрытием. Имеет два элемента крепления и комплектуется двумя видами зажимов (металлическими и резиновыми), а также брэндированной подложкой из крафтового картона.Приобрести лимитированный металлический пин Soviet Grail Logo, а также любой другой мерч, подготовленный нашей командой, можно в магазине музыкального издательства «КСМ Рекордс».

The post-Soviet republics seen over four different seasons, by acclaimed Russian photographer, Instagram sensation and Soviet Cities author Arseniy Kotov In Soviet Seasons, Arseniy Kotov reveals unfamiliar aspects of the post-Soviet terrain in sublime photographs. From snow-blanketed Siberia in winter to the mountains of the Caucasus in summer, these images show how a once powerful, utopian landscape has been affected by the weight of nature itself. This uniquely broad perspective could only be achieved by a photographer such as Kotov. Singularly dedicated to exploring every corner of his country, Kotov often hitchhikes across vast distances. On these journeys he chronicles not only the architectural achievements of the Soviet empire, but also its overlooked or simply undocumented constructions. He writes: "In this book I want to show how beautiful and diverse the cities and nature of this vast region are at different times of the year. I have traveled widely across Russia and its neighboring countries, where I captured the landscape of post-Soviet cities and witnessed the seasonal changes."

P-35045 Soviet Propaganda Posters

Сборная модель Soviet SU-18 SPH

On the heels of his bestselling Soviet Bus Stops, photographer Christopher Herwig locates fresh wonders of the Soviet vernacular in Georgia, Ukraine and Russia itself After the popular and critical success of his first book, Soviet Bus Stops, photographer Christopher Herwig has returned to the former Soviet Union to hunt for more. In this second volume, as well as discovering new stops in the remotest areas of Georgia and Ukraine, Herwig turns his camera to Russia itself. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop. Examining the government policy that allowed these small architectural forms to flourish, he explains how they reflected Soviet values, and how ultimately they remained-despite their incredible individuality-far-flung outposts of Soviet ideology. The diversity of architectural approaches is staggering: juxtaposed alongside a slew of audacious modern and brutal designs, there are bus stops shaped as trains, birds, light bulbs, rockets, castles, even a bus stop incorporating a statue of St. George slaying the dragon. An essential companion to the first volume, this book provides a valuable document of these important and unique constructions.

Stunning photographs of Soviet Metro Stations from across the former states of the USSR and Russia itself, many of which have never previously been documented For us, said Nikita Khrushchev in his memoirs, `there was something supernatural about the Metro'. Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork - a fusion of sculpture, architecture and art, combining Byzantine, medieval, baroque and Constructivist ideas and infusing them with the notion that Communism would mean a `communal luxury' for all. Today these astonishing spaces remain the closest realisation of a Soviet utopia. Following his best-selling quest for Soviet Bus Stops, Christopher Herwig has completed a subterranean expedition - photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures individual elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine build an unforgettably vivid map of the Soviet Metro. The photographs are introduced by leading architecture, politics and culture author and journalist Owen Hatherley.

P-35046 Soviet Propaganda Posters part II

P-35047 Soviet Propaganda Posters part III