Follow the holes to read the story in this interactive deep sea adventure! Little ones will love finding the holes with their fingers, peeping through and turning the page to see what the holes become. With a gentle rhyming text encouraging children to say what they can spy in every scene, this is a journey through the ocean to visit time and time again.

Trust no one. It is six months since the Arcadia set sail for the first time in forty years. But this wasn't the freedom the inhabitants were hoping for. Esther Crossland did what she had to do, but it has left a trail of destruction in her wake. Now the wrecked ship is abandoned. Its inhabitants are in exile, trapped in sprawling make-shift shelters made up of warehouse, tents, shipping containers. Esther and Nik, architects of the rebellion, are on the run. Esther is in hiding, desperate to do something to help her people, and Nik seems to have abandoned all hope, on a journey taking him further and further from home. And neither of them want to face up to their true feelings about one another . . . Not only that, there is a new villain in town. With the fall of Commander Hadley, it's left to the ruthless Admiral Janek to deal with the traitors, and her own past is beginning to catch-up with her. Then the shaky ceasefire negotiated by General Lall, Nik's mum, falls apart. Nik and Esther find themselves in a world of betrayals and double crossings - a game of power, with no one to trust but themselves. It's time for the final showdown.

Футболки парные — цвет: ЧЁРНЫЙ, мужской размер: S, женский размер: S. Пародийный ремейк с надписью «We all live in a Yellow Quarantine» выполнен по мотивам детской песни рок-группы Биттлз «Yellow Submarine». Составной шаблон.

She told you the house would keep you safe. She lied. Esther is safe in the house. For sixteen years, she and her mother have lived off the grid, protected from the dangers of the outside world. For sixteen years, Esther has never seen another single soul. Until today. Today there’s a man outside the house. A man who knows Esther’s name, and who proves that her mother’s claims about the outside world are false. A man who is telling Esther that she’s been living a lie. Is her mother keeping Esther safe – or keeping her prisoner?

The Beatles: Yellow Submarine [7'][Picture Disc]. 1 LP. A Yellow Submarine 2:39, AA Eleanor Rigby 2:08, Yellow Submarine, Eleanor Rigby - юбилейное издание к 50-летию альбома 'Yellow Submarine' семидюймовом сингле группы The Beatles

Arcade Fire, Arcade Fire Ep (Black Vinyl/Gatefold/Poster) Содержание: A1 Old Flame A2 I'm Sleeping In A Submarine A3 No Cars Go A4 The Woodlands National Anthem B1 My Heart Is An Apple B2 Headlights Look Like Diamonds B3 Vampire / Forest

Join the Beatles as they set off on a magical adventure to bring music and love back to Pepperland in this extraordinary collaboration of talent. Once upon a time (or maybe twice), some 80,000 leagues beneath the sea, there lay a colourful land of music and laughter called Pepperland - a place where ergeant Pepper's Lonely Hearts' Club Band was always playing your song. That is, until the Blue Meanies burst on the scene and chased all the magical music away. So began the classic 1968 film Yellow Submarine, inspired by the iconic song, which was quickly hailed as a visionary masterpiece - an avant-garde amalgam of Heinz Edelmann's pop art, groundbreaking animation techniques and the Beatles' wonderful music. Now, just in time for the 50th anniversary of the titular song, comes a new paperback edition of Yellow Submarine, showcasing the film's dazzling images and its lighthearted, witty tale in a glorious picture book to be savoured by fans and readers of all ages.

Jonathan Swift (1667-1745) was an Irish satirist, essayist, prose writer and poet, who has found his calling as a cleric of St Patrick's Cathedral in Dublin. "The Journal to Stella" is a collection of sixty-five letters from Jonathan Swift to his friend Esther Johnson, whom he called "Stella" and, according to some reports, was his secret wife, although there is no documentary evidence of it. Swift wrote the letters between 1710 and 1713 in England and many critics consider them as deeply personal.

Jonathan Swift (1667—1745) was an Irish satirist, essayist, prose writer and poet, who has found his calling as a cleric of St Patrick's Cathedral in Dublin. "The Journal to Stella" is a collection of sixty-five letters from Jonathan Swift to his friend Esther Johnson, whom he called "Stella" and, according to some reports, was his secret wife, although there is no documentary evidence of it. Swift wrote the letters between 1710 and 1713 in England and many critics consider them as deeply personal.

Jonathan Swift (1667—1745) was an Irish satirist, essayist, prose writer and poet, who has found his calling as a cleric of St Patrick's Cathedral in Dublin. "The Journal to Stella" is a collection of sixty-five letters from Jonathan Swift to his friend Esther Johnson, whom he called "Stella" and, according to some reports, was his secret wife, although there is no documentary evidence of it. Swift wrote the letters between 1710 and 1713 in England and many critics consider them as deeply personal.

The first in her much-loved Fleethaven Trilogy, Margaret Dickinson's Plough the Furrow begins the story of Esther, and her determination and dedication to the Lincolnshire farm land. Lincolnshire, 1910. Shunned by her own family, desperate for work and a place to stay, Esther Everatt walks through the night to Sam Brumby's farm, seeking the chance to earn her keep. Reluctantly, the old man takes her on. Able to work alongside any man, Esther soon earns Sam's grudging respect and affection, and at last feels she has found a home she can call her own. But her peace and security are cruelly shattered when old Sam dies: as a woman, she has no right to inherit the lease on the farm. Believing that her passion lies solely with the land and a place of her own, Esther prepares to risk everything to secure her future - seeking marriage with a local farmhand. But as war arrives to dash the hopes of a generation, Esther begins to discover that it is only the truest of love that can survive the passing of the seasons . . .

Esther entre au lycee, c'est l'annee de ses 16 ans! Pouviez-vous imaginer Esther bravant l’interdiction de ses parents pour aller en soiree ? Libre dans les rues de Paris a l’heure du dejeuner ? Eh oui, Esther est en seconde. Les cours sont souvent en demi-jauge, covid oblige. Les garcons sont de plus en plus intrigants, certains « fument de la drogue ». Ils sont toujours tres cons, ca c’est sur. Un jour, le vaccin contre le covid finit par arriver, mais est-il bien sur ? Ses copines en doutent… Esther doit aussi choisir ses « specialites » pour la premiere. Il faut penser a son orientation, a son futur metier. C’est ca, avoir 16 ans ! La serie Les Cahiers d'Esther s'inspire des histoires vraies d'une adolescente. Riad Sattouf a prevu de raconter la vie d'Esther jusqu'a ses 18 ans.

February 1943: As the balance of the war slowly shifts in Britain's favour, Lieutenant-Commander Steven Marshall brings his battle-scarred submarine into home port. Captain and crew are exhausted after fourteen months' continuous service, but for most there can be no thought of leave. If the enemy collapse in North Africa is to be exploited, every experienced man will be needed. Marshall must return to the Mediterranean, but this time to a very different kind of war. For his new command is secret and extremely hazardous - a captured German U-boat...

They share a house. And all its secrets . . . When a young woman is discovered brutally murdered in her own apartment, with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. They quickly establish a link between the victim, Julie Stender, and her complex landlady, Esther. Esther is a budding novelist - and when Julie features as a murder victim in the still-unfinished mystery she's writing, the link between fiction and real life grows more urgent. But is Esther guilty or merely another victim in a far more dangerous game of vengeance? Anette and Jeppe must dig more deeply into the two women's pasts to discover the secret that links them both . . .

Life is not quite a fairytale for poor Viola. Left penniless, the young widow is forced to live with her late husband s family in a joyless old house. There s Mr Wither, a tyrannical old miser, Mrs Wither, who thinks Viola is just a common shop girl, and two unlovely sisters-in-law, one of whom is in love with the chauffeur. Only the prospect of the charity ball can raise Viola s spirits - especially as Victor Spring, the local prince charming, will be there. But Victor s intentions towards our Cinderella are, in short, not quite honourable...

For Alice and Hanna, saint and sinner, growing up is a trial. There is their mother, who takes a divide-and-conquer approach to child-rearing, and their father, who takes an absent one. There is also their older brother Michael, whose disapproval is a force to be reckoned with. There is the catastrophe that is never spoken of, but which has shaped everything . . . As adults, Alice and Hanna must deal with disappointments in work and in love as well as increasingly complicated family tensions, and lives that look dismayingly dissimilar to what they'd intended. They must look for a way to repair their own fractured relationship, and they must finally choose their own approach to their dominant mother: submit or burn the house down. And they must decide at last whether life is really anything more than (as Hanna would have it) a tragedy with a few hilarious moments.