The Innocence of Memories is an important addition to the oeuvre of Nobel Prize-winning author Orhan Pamuk. Comprised of the screenplay of the acclaimed film by Grant Gee from 2015 (by the same name), a transcript of the author and filmmaker in conversation, and captivating colour stills, it is an essential volume for understanding Pamuk's work.Drawing on the themes from Pamuk's best-selling books, The Museum of Innocence, Istanbul and The Black Book, this book is both an accompaniment to the author's previous publications and a wonderfully revelatory exploration of Orhan Pamuk's key ideas about art, love, and memory.

The Innocence of Memories is an important addition to the oeuvre of Nobel Prize-winning author Orhan Pamuk. Comprised of the screenplay of the acclaimed film by Grant Gee from 2015 (by the same name), a transcript of the author and filmmaker in conversation, and captivating colour stills, it is an essential volume for understanding Pamuk's work.Drawing on the themes from Pamuk's best-selling books, The Museum of Innocence, Istanbul and The Black Book, this book is both an accompaniment to the author's previous publications and a wonderfully revelatory exploration of Orhan Pamuk's key ideas about art, love, and memory.

A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.

"Many years have now gone by, and jealousy compels me to keep her name a secret, even from my readers. But I must provide a full and truthful account of what happened."It is mid-1980s Istanbul and Master Mahmut and his apprentice use ancient methods to dig wells - they are desperate to find water in a barren land. This is the tale of their struggle, but it is also a deeper investigation - through mesmerising stories and images - into Pamuk's prevailing themes: fathers and sons, the state and individual freedom, reading and seeing. It is also a richly literary work: The Red-Haired Woman borrows from the tradition of the French conte philosophique and asks probing questions of ethics and of the role of art in our lives. It is both a short, realist text investigating a murder which took place thirty years ago near Istanbul - and a fictional inquiry into the literary foundations of civilizations, comparing two fundamental myths of the West and the East respectively: Sophocles's Oedipus Rex (a story of patricide) and Ferdowsi's tale of Rostam and Sohrab (a story of filicide).The Red-Haired Woman is a masterful and mesmerising work which further confirms Orhan Pamuk as one of our greatest novelists.

"Many years have now gone by, and jealousy compels me to keep her name a secret, even from my readers. But I must provide a full and truthful account of what happened."It is mid-1980s Istanbul and Master Mahmut and his apprentice use ancient methods to dig wells - they are desperate to find water in a barren land. This is the tale of their struggle, but it is also a deeper investigation - through mesmerising stories and images - into Pamuk's prevailing themes: fathers and sons, the state and individual freedom, reading and seeing. It is also a richly literary work: The Red-Haired Woman borrows from the tradition of the French conte philosophique and asks probing questions of ethics and of the role of art in our lives. It is both a short, realist text investigating a murder which took place thirty years ago near Istanbul - and a fictional inquiry into the literary foundations of civilizations, comparing two fundamental myths of the West and the East respectively: Sophocles's Oedipus Rex (a story of patricide) and Ferdowsi's tale of Rostam and Sohrab (a story of filicide).The Red-Haired Woman is a masterful and mesmerising work which further confirms Orhan Pamuk as one of our greatest novelists.

"Many years have now gone by, and jealousy compels me to keep her name a secret, even from my readers. But I must provide a full and truthful account of what happened."It is mid-1980s Istanbul and Master Mahmut and his apprentice use ancient methods to dig wells - they are desperate to find water in a barren land. This is the tale of their struggle, but it is also a deeper investigation - through mesmerising stories and images - into Pamuk's prevailing themes: fathers and sons, the state and individual freedom, reading and seeing. It is also a richly literary work: The Red-Haired Woman borrows from the tradition of the French conte philosophique and asks probing questions of ethics and of the role of art in our lives. It is both a short, realist text investigating a murder which took place thirty years ago near Istanbul - and a fictional inquiry into the literary foundations of civilizations, comparing two fundamental myths of the West and the East respectively: Sophocles's Oedipus Rex (a story of patricide) and Ferdowsi's tale of Rostam and Sohrab (a story of filicide).The Red-Haired Woman is a masterful and mesmerising work which further confirms Orhan Pamuk as one of our greatest novelists.

The Museum of Innocence - set in Istanbul between 1975 and today - tells the story of Kemal, the son of one of Istanbul's richest families, and of his obsessive love for a poor and distant relation, the beautiful Fusun, who is a shop-girl in a small boutique. The novel depicts a panoramic view of life in Istanbul as it chronicles this long, obsessive, love affair between Kemal and Fusun; and Pamuk beautifully captures the identity crisis esperienced by Istanbul's upper classes who find themselves caught between traditional and westernised ways of being. .

The Museum of Innocence - set in Istanbul between 1975 and today - tells the story of Kemal, the son of one of Istanbul's richest families, and of his obsessive love for a poor and distant relation, the beautiful Fusun, who is a shop-girl in a small boutique. The novel depicts a panoramic view of life in Istanbul as it chronicles this long, obsessive, love affair between Kemal and Fusun; and Pamuk beautifully captures the identity crisis esperienced by Istanbul's upper classes who find themselves caught between traditional and westernised ways of being. .

My Name is Red is an unforgettable murder mystery, set amid the splendour of sixteenth century Istanbul, from the Nobel prizewinning author In the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day – in the European manner. At a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working. But when one of the miniaturists is murdered, their Master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror? With the Sultan demanding an answer within three days, perhaps the clue lies somewhere in the half-finished pictures . . . Orhan Pamuk is one of the world’s leading contemporary novelists and in My Name is Red, he fashioned an unforgettable tale of suspense, and an artful meditation on love and deception.

Istanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu'ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as Bettany Hughes reveals, Istanbul is not just a city, but a story. In this epic new biography, Hughes takes us on a dazzling historical journey through the many incarnations of one of the world's greatest cities. As the longest-lived political entity in Europe, over the last 6,000 years Istanbul has absorbed a mosaic of micro-cities and cultures all gathering around the core. At the latest count archaeologists have measured forty-two human habitation layers. Phoenicians, Genoese, Venetians, Jews, Vikings, Azeris all called a patch of this earth their home. Based on meticulous research and new archaeological evidence, this captivating portrait of the momentous life of Istanbul is visceral, immediate and scholarly narrative history at its finest.

Plague is not the only killer - an historical epic of murder and mystery, myth-making and nation-building, from the winner of the Nobel Prize for Literature. 1901. Night draws in. With the stealth of a spy vessel, the royal ship Aziziye approaches the famous vistas of Mingheria. 'An emerald built of pink stone'. The 29th state of the ailing Ottoman Empire. The ship carries Princess Pakize, the daughter of a deposed sultan, her doctor husband, and the Royal Chemist, Bonkowski Pasha. Each of them holds a separate mission. Not all of them will survive the weeks ahead. Because Mingheria is on the cusp of catastrophe. There are rumours of plague - rumours some in power will try to suppress. But plague is not the only killer. Soon, the eyes of the world will turn to this ancient island, where the future of a fragile empire is at stake, in an epic and playful mystery of passion, fear, scandal and murder, from one of history's master storytellers.

A remarkable nineteenth-century account of Istanbul - which begins with a dazzling description of the city gradually appearing through the fog as the author's ship approaches the harbour - Constantinople expertly combines personal anecdote, breathtaking visual observation and entertaining historical information. An invaluable record of the metropolis as it used to be - a fascinating crossroads between Eastern and Western civilization and one of the most cosmopolitan cities of its time - as well as a vivid example of a European tourist's reaction to it - part delight, part incomprehension - this book will provide an enriching read for lovers of history or those planning to visit Istanbul themselves. Contains illustrations.

Kamal lives a life of cosmopolitan glamour, exploring the restaurants and boutiques of Istanbul with his friends and fiancй. In the newly modern city, they pride themselves on their liberal attitudes and Western style. A chance encounter with Fusun, a working-class shop-girl, begins a long, obsessive love affair, one that draws him deep into Istanbul’s complex history, and uncovers the forces of class and gender that still control its inhabitants’ lives.

The companion of Phaidon's popular The Endless City, Living in the Endless City will add the cities of Mumbai, Sao Paulo and Istanbul to the six cities of the first volume with the same mix of compelling photographs, in-depth and beautifully presented data, and smart writing by global thinkers. Each city is explored in a series of essays that address vital themes, from security to climate change, looking closely at the problems that face contemporary cities and examining a variety of solutions. Like the first book, the new one includes the best writing and information from the Urban Age project, a series of conferences held by the London School of Economics that explore vital field of urban development. Drawing on the work of scholars from all over the globe, this book will give the reader access to a wealth of ideas and data about Mumbai, Sao Paulo, Istanbul and, by extension, urban life across the globe. In addition to this close focus on each of the three cities, Living in the Endless City will feature analysis of surveys done in each city. Editors Deyan Sudjic of the Design Museum and Ricky Burdett of the LSE have also chosen the best contributors to both this book and The Endless City to write thematic essays that discuss the ideas and the lessons they have drawn across all nine cities.

The only city in the world to span two continents, Istanbul blends European and Asian influences with great style. Home to one of the world's most distinctive cuisines, dining here is an experience to be savored. This compendium showcases the trendiest dining establishments, sure to please even the most sophisticated of sensibilities. With elegant interiors and audacious selections of Turkish and international dishes, Istanbul is home to a dynamic dining scene where you're sure to be dazzled. This invaluable overview to what's happening in Istanbul's dining scene is interspersed with a selection of recipes allowing you to recreate the Istanbul dining experience at home. Text in English, German, French, Spanish and Italian.

What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Turkey's Nobel Prize winner explores the art of writing, and takes us into the worlds of the reader and the writer, revealing their intimate connections. Pamuk draws on Friedrich Schiller's famous distinction between "naive" poets-who write spontaneously, serenely, unselfconsciously-and "sentimental" poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to his reading of the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center the novelist's craft. Orhan Pamuk ponders the novel's visual and sensual power-its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he delves into the secrets of reading and writing, and considers the elements of character, plot, time and setting that compose the "sweet illusion" of the fictional world. Like Umberto Eco's Six Walks in the Fictional Woods and Milan Kundera's The Art of the Novel, this is a perceptive book by one of the modern masters of the art, a title anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from.